Keeping up with the Taegeuks (Oh Do Kwan versions and not Taegeuk poomsae)

Not sure if the headline makes sense. I have worked on Taegeuk 1-3 as documented in "Better Karate for Boys" by Sihak Henry Cho in 1970 and published them little by little over May 2025. I thought it was important to get them out there because I was sitting on what might be the only verifiable Ji Do Kwan Hyung as practised in Ji Do Kwan in the Kwan era. I was actually afraid something would happen to me so I could not finish and then the forms would have died out. Now I know at least two people will keep training and teaching them :-) But working with the Taegeuk Hyung of Ji Do Kwan made me very curious about the Oh Do Kwan variations. 

You see in the 1965 book on Taekwondo which Choi Hong Hi published they are not mentioned nor included in the text, despite many of the Karate Kata still being included at that point. When looking at the older forms of the Oh Do Kwan most people gravitate toward the 1965 book simply because it is easy to get, and because it is written in english. The 1959 book which Choi Hong Hi also wrote but in Korean is also a great resource, but since it is in Korean most people who get to it look at the pictures but dont really take a deep dive into it. It might come as a surprise to those reading the 65 book that the 59 book does contain instructions (and illustrations) on the three taegeuk forms, but this time it is obviously the Oh Do Kwan versions of the forms. Were they copied directly from Shotokan? Did Choi Hong Hi and his team at Oh Do Kwan change them in any way? Read on if you want to learn the Oh Do Kwan versions or simply get an idea of how Taegeuk Hyung 1-3 were practised in different Kwan. 

Part 3: The lost Ji Do Kwan Taegeuk Hyung (not the modern taegeuk poomsae)

This is a series on the original taegeuk forms or Taikyouku Kata that were practised in the Kwan era. More specifically the version practised in Ji Do Kwan. I strongly suggest you click here for part 1 and start the series there as I will asume you already have the knowledge shared within part 1 and 2 :-)

Part 2: The lost Ji Do Kwan Taegeuk Hyung (not the modern taegeuk poomsae)

 This is Part 2 of a series. I strongly suggest you click here for part 1 and start there, as I will assume you know the information contained within that part. 

In part 2 I will continue documenting the original tae keuk hyung of Ji Do Kwan, not to be confused with the modern taegeuk poomsae series. Tae Keuk Hyung is a series of three forms, all following the same floor pattern (an inverted "H-shape") and all consisting of fairly basic stances and attacks. The first form in the series which we covered in part 1 is identical to Shotokan's Taikyoku Shodan (1) Kata, move for move, and even the Kihap points. Its when we come to the 2nd and 3rd form we see differences. When I first stumbled across these I looked at the first form which was illustrated (the 2nd and 3rd were text only) and I recognised the form as Shotokan's Taikyoku Kata 1. I therefore assumed given Chun Sang Sup's background in Shotokan that the Tae Keuk forms were simply shotokan copies. Years later when revisiting them since I thought it was a tragedy that the Ji Do Kwan forms were lost (or at least it does seem like they were) I was hoping that there might be something different about them and it was. So without further adu let us look at how the 2nd form of the Tae Keuk Hyung were performed. 

Part 1: The lost Ji Do Kwan Taegeuk Hyung (not the modern taegeuk poomsae)

 In my last post I walked you through a short history of the Ji Do Kwan and the issues we have when it comes to lineage, which is why I believe that we have lost all the original Ji Do Kwan Hyung as they were practised in the Kwan-era (in Ji Do Kwan's case 1946-1966 since they adopted Palgwae and then Taegeuk forms). The students focused very much on the practical applications of the basic techniques as used in sparring and the school became legendary for its fierce fighters. Later they joined the Korean Taekwondo movement fullheartedly in 1966, and got to have their own representatives in the poomse comitte who made the Taegeuk poomse series of 8 forms and the new Koryo poomse which replaced the older Koryo Hyung made by the orignal comitte. Why they left the rest of the Judanja poomse largely in peace I do not know. This focus on the sparring applications, and then the fullhearted joining of what was to become modern Kukki-Taekwondo unfortunatly came at a steep (in my opinion) price; The loss of the original Ji Do Kwan Hyung as practised in the Kwan-era. The school originally had instructors comming with dan ranks from Shotokan (most possibly), Shudokan Karate and Shito-Ryu Karate, or in other words their knowledgepool flowed from Gichin Funakoshi, Kenwa Mabuni and Toyama Kanken. All Karate legends, and this wide array of "knowledge rivers" is rather unique in Kwan terms. Therefore the loss of their forms is truly a tragedy. When going over some of the more obscure books in my collection I revisited Sihak Henry Cho's book called Better Karate for Boys". It is a short and simple book covering some stances and basic techniques and basic facts like what to expect from a class, how to fold your training uniform, how to tie your belt etc. One of the things that he also covered were three "Tae Keuk Hyung" or taegeuk hyung which is how we would have spelled it today. 

The tragedy of Ji Do Kwan

I have often written about the roots of Ji Do Kwan, and I have "talked them up" because I am biased when it comes to Ji Do Kwan coming fra a Ji Do Kwan background myself through one of my first primary teachers in Taekwondo; Grandmaster Cho Woon Sup. In this post I will try to give a more balanced view and talk a little about the link in the lineage problem. I might do another post where I discuss this more thouroughly because this is not only a Ji Do Kwan problem, but I am going to gift Ji Do Kwan practisioners with a small treasure (in my view) that I happened to come across in my research, but before gifting it, I want to give a little perspective so people can appreciate what I am giving. 

Part 3: The evolution of Hwarang Hyung/Tul/Poomsae 1950s onward

If you are reading this series on another webpage other than the traditional taekwondo ramblings blog it has been stolen without my permission. This has happened a lot lately. 

I started a little blogpost on Taekwondo's birthday (11th April) looking at the evolution of Hwarang Hyung seeing as this was the first Korean Taekwondo form created. I meant to cover movement 1 and possibly movement 4 within the form, but once I got started and realized that the version I am practising (which I dubbed the 1965 version after Choi Hong Hi's 1965 book) was different from the modern ITF rendition of Hwarang Hyung (or Tul which is ITF's preferred term for form/pattern). I have kept saying this but I will say it again; there is no "best version" unless you define in what context you would measure against. They are simply different, and different lineages and Dojang will have different versions of it. ITF has done a great job curating the creators final versions of his forms (although some ITF orgs has tempered with them after his death), my personal interest in Choi's Chang Hon Ryu forms is as they were done in the Oh Do Kwan before he left South Korea, so my personal "best version" would not be the "latest version", and that is OK for me and should be for anyone else :-) Now with that caveat out of the way, let us look at Hwarang Hyung movement 5 through our sources which in this blog post would be Choi Hong Hi's 1959 book (Korean language only), Choi Hong Hi's 1965 book, an instructional video made under the supervision of Choi Hong Hi in 1968 and Choi Hong Hi's 15 volume Encyclopedia (volume X or 10) from the 1980s.

Part 2: The evolution of Hwarang Hyung/Tul/Poomsae 1950s onward

On Taekwondo's birthday (11th April) I posted a blogpost discussing the evolution of the very first movement in the very first Korean martial arts form/pattern; Hwarang Hyung. I teased that therewere more changes from the original version which the oldest documentation we have is from 1959, and that a few of these changes might surprise some. Well in this part we will jump ahead to movement 4 in Hwarang Hyung, what was in the 1965 version called the twin forearm block, or in Kukki Taekwondo terminology a momtong keumgang makki (double diamond block perhaps in english?). In the version of Hwarang that I learned this technique is done roughly the same as in Taebaek Poomsae but with the middle block portion of the technique turned outward, so the palm of your blocking hand is turned away from you, not pointed towards you like in Taebaek Poomsae. Was this the original way to do it? How is it done in modern ITF Chang Hon Ryu? I'll make use of the same sources as in Part 1, and I advice you to read that part first if you have not done so :-) Click here to read it