If you have purchased my book and enjoyed it. I would be incredibly grateful if you left a review on amazon🙇🏻🙇🏻😇🙏
If you haven't purchased it yet, what's stopping you? 😉
If you have purchased my book and enjoyed it. I would be incredibly grateful if you left a review on amazon🙇🏻🙇🏻😇🙏
If you haven't purchased it yet, what's stopping you? 😉
At long last, here is the revelation I have been dying to reveal:
Click here for amazon
I have not seen it myself yet, but Kindle and Paperback version of The Lost Forms of Oh Do Kwan Taekwondo Volume 1: Taegeuk 1-3 Hyeong is live. The series on Kwan history has all been from the introduction section of the book, with the meat of the book being the Taegeuk forms as practised in Oh Do Kwan and Chung Do Kwan (they practiced the same versions).
In 1959 Choi Hong Hi published the first ever book on Taekwondo called Taekwondo Kyobon or Textbook, where he among other things presents a lot of old Hyeong later phased out. Some he also included in the 1965 English language book, the Taegeuk forms did not make it into that one though meaning that for most people their practice was unknown.
I translated the forms for my own research, and wanted to share their story and make the material more available for English speaking people who might not even know that a 1959 Taekwondo Textbook even existed.
This is just Volume 1, and I seriously contemplated starting directly at the Pyeongahn or Heian forms instead. The Taegeuk are not flashy, or "exciting". They are fundamental movements taught to beginners. In the 1959 book appendix we find a grading diagram revealing all 3 Taegeuk was required at a students first belt promotion test. I do see the value of the basics and fundamentals however and since its not really a commercial project I decided to make it from the beginning anyway :-)
The "Oh Do Kwan" in the title is there because the main source material I am framing this series on is the 1959 Taekwondo Textbook, but it is not a Kukkiwon Taekwondo book, nor is it an ITF or Chang Hon Ryu Taekwon-Do book, it is for people interested in Taekwondo history and nerds like myself. In that spirit I have included Kwan variations that I could find documentation from:
This is part 6 of the Taekwondo Kwan history blog series. So far I have covered Chun Sang Sup, Yun Kwae Byung, Yun Byung In, Hwang Kee, Lee Won Kuk and now Ro Byung Jik. All of the blog posts in this series build directly from my upcoming secret book which does focus on a single Kwan, but none of the ones that we have covered so far. So which one is it? I still will not say, but I am sure many readers can now make a very educated guess as we have eliminated Yun Mu Kwan, Ji Do Kwan, YMCA Kwon Bop Bu (and Chang Mu Kwan/ Kang Duk Won), Mu Duk Kwan, Chung Do Kwan and today Song Mu Kwan. Like the other blog posts this one is rather short since I wanted to introduce the different major Kwan (schools), their founders and their martial roots, but they are not the focus of the book. Material on them are needed however to give historical context. I do hope you enjoy reading this series, and in the next part I will reveal the secret book project, the supersecret Kwan in great detail (since the book is really about one specific Kwan) and let the cat out of the bag. Hopefully the book will be fully formated and ready to be published by the time you read the next blog post in this series. In a way I will have given away much of the two first chapters of the book for free when you have read the next "episode", but I have always felt that knowledge is not something one should hoard or gatekeep and especially when it comes to the martial arts. Anyway, if you are curious to read on about Ro Byung Jik and his Song Mu Kwan here is the chance :-)
This is the second blog post that is based upon a history part of the introduction in my mysterious book project. I challenged myself to keep each Kwan history brief because while a little relevant, the focus on the book lies within a single Kwan, so I wanted to give a general overview and then in a seperate section go deep and wide into that particular Kwan´s history. Since we starte part 1 with Chun Sang Sup and his Yun Mu Kwan Kong Su Do Bu, I feel that it is only right to continue with Yun Kwae Byung and his Ji Do Kwan which came from the Yun Mu Kwan. When Chun Sang Sup dissapeared during the Korean war (1950-53) it was Yun Kwae Byung who picked up the pieces and reopened the school under the new name Ji Do Kwan. Like Chun, Yun Kwae Byung is also often overlooked in modern Taekwondo history, which I feel is a shame because he is a very interesting figure to research. I think some of the reason for his absence in modern taekwondo history is due to his work along with Hwang Kee in the Su Bahk Do Association, an association which gave the early Korean Taekwondo Association (KTA) strong competition for several years. The blog post might be brief, but the information within it is hopefully great :-)
While waiting for an oppertunity to retake photos and take new photos for new material for my upcoming ABCs of Practical Poomsae applications I kinda started with a smaller book project which is also coming along nicely. I will keep the cards tight to my chest for the time being, but I am working a different way on this one, writing it from scratch and trying to format it and polish it as I go rather than the way I did with the ABCs of Practical Poomsae applications which has grown to about 125 pages manuscript but has yet to be formatted. Anyhow, as part of this smaller book project which is veeeeeeeery niche and I doubt it will see much, I decided that for the introduction part I needed to mention and give a brief overview on each of the major Kwan or schools that opened up from 1944-1950s. It was grueling work because I needed to re-evaluate what I know, new sources has been made available and in some cases I really had to change what I believed. This post which focuses on Chun Sang Sup is a very good example of this since I was told and read that he trained in Shotokan Karate under Gichin Funakoshi, that he taught Shotokan Kata, and that Yun Kwae Byung when he reopened it as Ji Do Kwan continued teaching the Shotokan forms despite him not being of Shotokan lineage. Modern Ji Do Kwan schools do in some cases teach Shotokan Kata as their heirloom forms, but the few people I that I reached out to who actually answered admitted that they read the same as I did, and went out and learned Shotokan Kata and taught them as Ji Do Kwan Hyeong. This is what happens when we make assumptions about history, and I am betting that all this info about Chun practising Shotokan comes from one work which has influenced writers all over the place.
The other thing that made this difficult was that I decided to keep each Kwan history brief, and if you know anything about me, making me write or talk about Taekwondo history is to open up the flood gates. I never shut up or stop writing:-P So if this has intrigued you click the read more button to read a short summary of Chun Sang Sup´s history and the founding of the Yun Mu Kwan Kong Su Do Bu.
If you enjoy the work I’m doing here at Traditional Taekwondo Ramblings — the historical deep dives, translations, and practical applications — and you’d like to support it, I’ve now created a Patreon page.
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In modern ITF Taekwon-Do the karate roots of Taekwondo is often overlooked, or downplayed. I think this is also true for most schools of Taekwondo, and I think that is a mistake, because we need to have a good grasp of where we came from to see where we should continue to go. Without a proper setting off point, how can we determine the route or destination? Some "Taekwon-Do rebels" such as Paul O'Leary has written for many years on the Karate roots of different Chang Hon Ryu forms, noting how Won-Hyo Hyung is a composite of two different Pinan/Heian Karate Kata. There are several forms in Chang Hon Ryu who lifts whole sequences of Karate Kata move for move or with very small tweaks. There is nothing wrong with that, and I truly enjoy practising them, because Choi and his team really has in my opinion taken their Karate roots and infused them with a Korean identity by repackeging them, lifting sequences from Karate kata, but also expanding upon them and so on. I find great value in them in other words. One form that few people if any have noticed is also largely a repackaged Karate Kata is Chon-Ji Hyung or Tul. In this post I want to shed some light on the roots of Chon-Ji Hyung, and how it is repackaged. I have previously written about how the technical makeup of Chon-Ji Hyung is brilliant, and closely linked to philosophy, I will try to do it justice here as well. If however you want to check out a deep dive into Chon-Ji Hyung as a philosophical-Physical link you can click here for that. For the Karate roots of Chon-Ji Hyung please click to read on on this post :-)
You see in the 1965 book on Taekwondo which Choi Hong Hi published they are not mentioned nor included in the text, despite many of the Karate Kata still being included at that point. When looking at the older forms of the Oh Do Kwan most people gravitate toward the 1965 book simply because it is easy to get, and because it is written in english. The 1959 book which Choi Hong Hi also wrote but in Korean is also a great resource, but since it is in Korean most people who get to it look at the pictures but dont really take a deep dive into it. It might come as a surprise to those reading the 65 book that the 59 book does contain instructions (and illustrations) on the three taegeuk forms, but this time it is obviously the Oh Do Kwan versions of the forms. Were they copied directly from Shotokan? Did Choi Hong Hi and his team at Oh Do Kwan change them in any way? Read on if you want to learn the Oh Do Kwan versions or simply get an idea of how Taegeuk Hyung 1-3 were practised in different Kwan.
This is a series on the original taegeuk forms or Taikyouku Kata that were practised in the Kwan era. More specifically the version practised in Ji Do Kwan. I strongly suggest you click here for part 1 and start the series there as I will asume you already have the knowledge shared within part 1 and 2 :-)
In part 2 I will continue documenting the original tae keuk hyung of Ji Do Kwan, not to be confused with the modern taegeuk poomsae series. Tae Keuk Hyung is a series of three forms, all following the same floor pattern (an inverted "H-shape") and all consisting of fairly basic stances and attacks. The first form in the series which we covered in part 1 is identical to Shotokan's Taikyoku Shodan (1) Kata, move for move, and even the Kihap points. Its when we come to the 2nd and 3rd form we see differences. When I first stumbled across these I looked at the first form which was illustrated (the 2nd and 3rd were text only) and I recognised the form as Shotokan's Taikyoku Kata 1. I therefore assumed given Chun Sang Sup's background in Shotokan that the Tae Keuk forms were simply shotokan copies. Years later when revisiting them since I thought it was a tragedy that the Ji Do Kwan forms were lost (or at least it does seem like they were) I was hoping that there might be something different about them and it was. So without further adu let us look at how the 2nd form of the Tae Keuk Hyung were performed.
If you are reading this series on another webpage other than the traditional taekwondo ramblings blog it has been stolen without my permission. This has happened a lot lately.
I started a little blogpost on Taekwondo's birthday (11th April) looking at the evolution of Hwarang Hyung seeing as this was the first Korean Taekwondo form created. I meant to cover movement 1 and possibly movement 4 within the form, but once I got started and realized that the version I am practising (which I dubbed the 1965 version after Choi Hong Hi's 1965 book) was different from the modern ITF rendition of Hwarang Hyung (or Tul which is ITF's preferred term for form/pattern). I have kept saying this but I will say it again; there is no "best version" unless you define in what context you would measure against. They are simply different, and different lineages and Dojang will have different versions of it. ITF has done a great job curating the creators final versions of his forms (although some ITF orgs has tempered with them after his death), my personal interest in Choi's Chang Hon Ryu forms is as they were done in the Oh Do Kwan before he left South Korea, so my personal "best version" would not be the "latest version", and that is OK for me and should be for anyone else :-) Now with that caveat out of the way, let us look at Hwarang Hyung movement 5 through our sources which in this blog post would be Choi Hong Hi's 1959 book (Korean language only), Choi Hong Hi's 1965 book, an instructional video made under the supervision of Choi Hong Hi in 1968 and Choi Hong Hi's 15 volume Encyclopedia (volume X or 10) from the 1980s.
Every so often I see the Shaolin temple and Bodhidharma
This last year I have done a deep dive and really focused on